Lectures offered through the Barnard Forum on Migration are supported by a bequest establishing the Weiss International Fellowship Fund to bring distinguished scholars in literature and the arts to Barnard. The Barnard Forum on Migration is being organized by Caryl Phillips, the Henry R. Luce Professor of Migration and Social Order, who joined the Barnard faculty in the fall of 1998 as a member of the English department. The College is grateful to the Henry R. Luce Foundation for its support of the distinguished professorship.

Forum on Migration events are free and open to the public. For more information, please e-mail mhand@barnard.edu, or call 212-854-3577.
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Tuesday February 3 • 7 p.m.
The Big Bhang: Basement Bhangra at Barnard

Lower Level McIntosh


DJ Rekha

In a special presentation celebrating the 7th Anniversary of the influential club night, Basement Bhangra, pioneer of New York’s South Asian music scene and founder of Basement Bhangra, REKHA MALHOTRA (aka DJ REKHA) and resident percussionists, DAVE SHARMA'S DHOL COLLECTIVE will explore the roots and future of Bhangra music. Expect a set of groundbreaking original tunes, traditional Punjabi music, underground dubplates, and roughneck beats.
Bhangra is a percussive folk music originating in the Punjab, where it was developed to celebrate the yearly harvest festival. Taking the form of boliyan (short poems), accompanied with the powerful bass of the two-headed drum, the dhol, and occasionally the high-pitched strings of the thumbi, Bhangra was passed down relatively unchanged by generations of Punjabis until, in the 1980s, it hit the UK. There, a generation of British-born Punjabi youth, bred on the sounds of reggae, house and soul, reclaimed Bhangra music as their own, mixing the rhythm of the dhol with drum machines and samplers. Basement Bhangra has taken this evolution one step further by
introducing the attitude and aggressive DJ techniques of hip-hop to create a Bhangra sound with a distinctly New York sensibility.
Basement Bhangra’s resident dance instructors, RAESHEM NIJON and BRENDAN VARMA, will join DJ REKHA and DAVE SHARMA'S DHOL COLLECTIVE'S bhanging selection of raw Punjabi folk rhythms flavored with hip hop and dancehall. Moderated and presented by pioneering global music journalist, VIVIAN GOLDMAN.


Tuesday, March 9 • 7 p.m.
A Reading and Discussion with Author Roddy Doyle

The James Room, 4th Floor, Barnard Hall


Roddy Doyle

RODDY DOYLE was born in 1958 in Dublin and is the author five works of fiction: The Commitments, The Snapper, The Van (1991 Booker Prize Finalist), Paddy Clarke Ha Ha Ha (1993 Booker Prize Winner), and the acclaimed best sellers, The Woman Who Walked Into Doors and A Star Called Henry, and one work of non-fiction, Rory and Ita. His next novel, Oh, Play That Thing, will be published in September 2004. Doyle has also written for the stage and the screen: the plays Brownbread, War, Guess Who's Coming for the Dinner, and an adaptation of The Woman Who Walked into Doors; the film adaptations of The Commitments (as co-writer), The Snapper, and The Van; When Brendan Met Trudy (an original screenplay); the four-part television series Family for the BBC; and the television play Hell for Leather. Doyle has written the children’s books The Giggler Treatment and Rover Saves Christmas and contributed to a variety of publications including The New Yorker, the anthology Speaking with the Angel (edited by Nick Hornby), and the serial novel Yeats is Dead! (edited by Joseph O'Connor). He lives in Dublin with his family and is currently a Visiting Professor of English at Barnard College.
Roddy Doyle will read selections from his forthcoming novel, some short pieces from the multi-cultural paper Metro Eireann, published monthly in Dublin, and the short story “Recuperation.”


Tuesday, April 6 • 7 p.m.
Whoever Bears the Scar Remembers: The Raboteau Trial in Haiti

Julius S. Held Lecture Hall, 304 Barnard Hall

The award-winning documentary POTE MAK SONJE: THE RABOTEAU TRIAL, (“whoever bears the scar remembers,”) will be screened with an introduction and discussion afterward led by producer CHRISTINE CYNNand director HARRIET HIRSHORN.
On April 22, 1994, three years after a military coup overthrew democratically elected President Jean Bertrand Aristide, members of the Haitian Army and of the paramilitary group FRAPH (National Front for the Advancement and Progress of Haiti) surrounded the coastal community of Raboteau and committed what has come to be known as “the Massacre at Raboteau.” Soldiers and FRAPH members beat and tortured over 200 residents and pursued victims who sought medical assistance in hospitals as far away as Port-au-Prince. Although eight deaths were documented, estimates of the number killed during the Massacre range up to 50, but cannot be firmly established. Pote Mak Sonje: The Raboteau Trial explores how a community marked by a long history of impunity, corruption, extreme poverty, and illiteracy overcame such obstacles and mobilized to bring about the most successful criminal prosecution in Haiti, and one of the most significant human rights trials in the Western hemisphere in the last 20 years.
CHRISTINE CYNN (Producer, Interviewer) has produced a short documentary about the struggles of five formerly homeless people in New York City making their own video documentary about living with HIV/AIDS. She teaches English and Women Studies at Barnard College.
HARRIET HIRSHORN (Director, Editor) edited, directed and produced the acclaimed documentary The Disappearance of TiSoeur: Haiti after Duvalier (1997). She has been engaged for more than 15 years in social justice issues in Haiti and is, with Christine Cynn, currently producing a documentary on the struggle for HIV/AIDS treatment access in Burundi, South Africa, Botswana and Nigeria.

Click here for a list of past events.