Kaiama L. Glover
Associate Professor of French and Africana Studies
Having received a B.A. in French History and Literature and Afro-American Studies from Harvard University and a Ph.D. in French and Romance Philology from Columbia University, Professor Glover joined the faculty in 2002. Her teaching and research interests include francophone literature, particularly that of Haiti and the French Antilles; colonialism and postcolonialism; and sub-Saharan francophone African cinema. She advises students in French, Africana Studies, Comparative Literature, and Human Rights. Her book, Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon (Liverpool UP 2010), addresses the general issue of canon formation in the francophone Caribbean and the particular fate of the Haitian Spiralist authors vis-à-vis this canon. She has published articles in The French Review, Small Axe, Research in African Literatures, The Journal of Postcolonial Writings, and The Journal of Haitian Studies, among others, and is currently at work on a project that addresses literary representations of self-care in Caribbean prose fiction as ethical practices for women living in coercive communities. She is the co-editor of New Narratives of Haiti, a special issue of Transition magazine; co-editor of Translating the Caribbean, a volume of critical essays on translation in the Americas published as a two-part special section of Small Axe; first editor of Revisiting Marie Vieux Chauvet: Paradoxes of the Postcolonial Feminine, a volume of critical essays published as a special issue of Yale French Studies; and co-editor of the forthcoming Duke University Press Haiti Reader. She has translated Frankétienne’s Mûr à crever (Ready to Burst), René Depestre's Hadriana dans tous mes rêves (Hadriana in All My Dreams), and Chauvet’s Danse sur le volcan (Dance on the Volcano). She has been on the editorial board of the Romanic Review since 2002, on the editorial board of Small Axe since 2012, and since 2016 is the founding co-Editor of sx archipelagos : a small axe platform for digital practice. Professor Glover has been the recipient of fellowships and awards from the Fulbright Foundation, the Mellon Foundation, The New York Public Library, the PEN/Heim Foundation, the National Endowment for the Arts, and the National Endowment for the Humanities, and she is a regular contributor to The New York Times Book Review.
Human Rights Studies
Disorderly Women: “Narcissism,” Community, and Gender in Caribbean Prose Fiction (in progress).
Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon. Liverpool University Press, 2010.
The Haiti Reader. Duke University Press (accepted for publication, in progress) [co-edited with Laurent Dubois, Nadève Ménard, Millery Polyné, and Chantelle Verna].
Revisiting Marie Vieux Chauvet: Paradoxes of the Postcolonial Feminine, for Yale French Studies (accepted for publication, in progress) [co-edited with Alessandra Benedicty].
New Narratives of Haiti, for Transition Magazine No. 111 (2013) [co-edited with Laurent Dubois].
Josephine Baker: a Century in the Spotlight, for the The Scholar and the Feminist Online 6.1-6.2, fall 2007-spring 2008.
Order, Disorder, and Freedom: an Homage to Maryse Condé, for the Romanic Review. Columbia University Press, 2004.
“Confronting the Communal: Maryse Conde’s Challenge to New World Orders in Moi, Tituba,” French Forum 37.3 (in press).
“‘Black’ Radicalism in Haiti and the Disorderly Feminine: The Case of Marie Vieux Chauvet,” Small Axe 17.1 40 (March 2013): 7-21.
“New Narratives of Haiti, or, How to Empathize with a Zombie,” Small Axe 16.3 39 (November 2012): 199-207.
“Same Difference: Incoherent Being(s) in Jean-Claude Fignolé’s Early Prose Fiction,” The French Review 85.2 (December 2011).
“Tituba’s Fall: Maryse Conde’s Counter-Narrative of the Female Slave Self,” Contemporary French and Francophone Studies 15.1 (January 2011): 99-106.
“Presenting the Past: The Persistence of the Para-Revolutionary Moment in Jean-Claude Fignolé’s Aube Tranquille,” Research in African Literatures 41.4 (November 2010): 208-26.
“The Ambivalent Transnationalism of a Literature World. In French,” Small Axe 33 14.3 (October 2010): 99-110.
“The Consequences of ‘Not-Paris,” Journal of Postcolonial Writing 44.3 (September 2008): 275-88.
“Showing vs. Telling: spiralisme in the light of antillanité,” Journal of Haitian Studies 14.1 (spring 2008): 91-117.
“Exploiting the Undead: the Usefulness of the Zombie Figure in Haitian Literature,” Journal of Haitian Studies 11.2 (fall 2005): 105-121.
In the News
During the spring 2018 semester, Barnard's faculty were awarded distinguished research grants and fellowships in the arts, creative scholarship, economics, and science.
To mark the August 1791 anniversary of the start of the Haitian Revolution, this interview explores dystopian Haiti, zombies, and how pop culture perpetuates and reinforces incorrect narratives about Haiti and the wider "black" world.
Modiano’s writing confronts the social and political challenges of postwar France.
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